Noon at Dusk (2016)
“Lewis’s score is an elegant, slow moving exposition of the subconscious thoughts and inner arguments of the six cast members. … This constantly shifting sonic world proved fascinating and effective…”
-“The Birthing of a New Opera” in the San Diego Reader, full review
“…its various components fuse solidly to deliver a moving, universal story about what really counts between 21st-century laborers off the clock.”
-“The Light and Dark of ‘Noon at Dusk’” on Phenomenoscopy, full review
con mortuis in lingua mortua (2013)
“…an eerie trip to an underworld of foreboding spirits. It is not offputting, not at all, but rather invites us to tread, however carefully, along unknown paths.”
-Elliott Goldkind, New Classic LA
“…powerfully elegiac…”
“…the feeling turns a bit eerie, becoming the musical equivalent of a ghostly apparition.”
“…riveting and visceral.”